All books are in the Music Library unless otherwise indicated.
- Cox, Christoph and Daniel Warner, eds. Audio Culture: Readings in Modern Music (New York: Bloomsbury). 2004 paperback edition: ML197 .A85 2004; Rev. Version, 2017.
- COREY, JASON.
| AUDIO PRODUCTION AND CRITICAL LISTENING: TECHNICAL EAR TRAINING. 2nd ed. New York: Routledge, 2017. ON ORDER |
- Demers, Joanna. Listening Through the Noise: The Aesthetics of Experimental Electronic Music (New York: Oxford, 2010).
- Grubbs, David. Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (Durham: Duke, 2014).
- Hosken, Dan. An Introduction to Music Technology. 2nd Edition. (New York: Routledge, 2015). Paperback on order.
- Li, Tao, Mitsunori Ogihara, and George Tzanetakis, eds. Music Data Mining (Boca Raton: Taylor & Francis, 2012). (eBook through CNY.)
- Malloy, Judy ed. Women, Art, and Technology (Cambridge: MIT, 2003). ART N72.T4 W66 2003
- Roads, Curtis. Composing Electronic Music: A New Aesthetic (New York: Oxford, 2015). eBook on order. (eBook)
- Roads, Curtis. Microsound (Cambridge: MIT, 2001).
- Rodgers, Tara. Pink Noises: Women on Electronic Music and Sound (Durham: Duke, 2010).
- Schloss, Joseph. Making Beats: The Art of Sample-Based Hip Hop, 2nd ed. (Middletown: Wesleyan). ML3531 .S35 2004; 2014 edition: (eBook)
- Sterne, Jonathan ed. The Sound Studies Reader (New York: Routledge, 2012).
- Winkler, Todd. Composing Interactive Music: Techniques and Ideas Using Max (Cambridge: MIT, 1999).
